How to set up your art space for mixed media and art journaling

Art-Space-Set-Up-How-To

My top 5 tips for organizing your art space and having a great setup. Watch the short video below or read the transcript underneath.

Tip 1. A Tidy Start

Clutter kills creativity. OK maybe not, but a clutter of art supplies when I start makes me feel overwhelmed with too many choices. A clean desk means I can start with a sense of calm and go from there.

Tip 2. Workspace Aplenty

I’m sure lots of you can relate to having only a small space to work in. It’s important to have more surface than just what you need for your journal or substrate. That way you can have the materials you’re working with around you. Set up a foldable table if possible.

Tip 3. Get Organized

Everything should have its own place. It will help you find this quickly and also makes tidying up much easier.

Tip 4. Quick Access

When it’s hidden away, I don’t use it and forget I have it. All my favourite art supplies are within arms reach and visible. That way I can quickly grab what I need without having to get up. It really helps me stay in the creative flow.

Tip 5. Get Rid Of It!

If you don’t use it, lose it! It clutters up your art space and makes you feel like you ‘should’ use it. If you don’t use or enjoy certain supplies, get rid of them (Freecycle, charity shop, arty friends) and make space for things you DO like.

Strathmore Softcover Mixed Media Journal – Art Journal Reviews

Strathmore Softcover  Mixed Media Journal

It is not a secret that I love art journals and can never have enough. So in this series I am reviewing all the art journals that I have used over the years. Some are firm favourites that I buy again and again, some have their quirks and some are straight up don’t-buys. Keep reading to find out more about:

Strathmore Softcover Mixed Media Journal

I heard about Strathmore journals a lot in the mixed media scene (I think I first heard Donna Downey mention it in one of her videos), but they’re not available in the UK. Then I realised that I could easily order one from amazon.com and the shipping wasn’t too bad! I’ve only had this one a few weeks but it’s already become my absolute favourite journal I own! Keep reading to find out why.

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Look & Feel

It has a soft floppy cover that feels very nice to touch. It got a bit damaged in transport; it has some grooves pressed into the cover material. I’ve heard other people mention something similar happened to theirs but it doesn’t affect its use at all. It’s 7.75×9.75″ and it feels like an ideal size to me (not so small to be fiddly, but not so big to be intimidating).

Binding

The binding is sewn and then glued. This means the pages don’t lie flat when you open it. That’s not ideal, but it’s something I’ve been able to learn to work with. One of the major advantages of this type of binding is that there is no bleeding! So to me it’s pretty much a direct tradeoff (lie flat vs no bleeding).

Strathmore Mixed Media Journal Review | iris-impressions.com

Paper Quality

The paper is only 90lb/190gsm which sounds ridiculously thin. I normally wouldn’t touch anything that thin, thinking it would definitely not stand up to heavy and wet mixed media use. Surprisingly.. this is some of the best paper I’ve used. It can take quite a bit of abuse before it starts pilling and the pages don’t show any sign of buckling or rolling when you use wet media. The paper feels quite porous and velvety (when you use watercolours they feel like they kind of soak in and fan out a bit) which is a quality I really like.

Strathmore Mixed Media Journal Review | iris-impressions.com

Availability

This is a US journal and easily available over there both online and in stores. I don’t know any shops that stock it in the UK, but as mentioned the international shipping on amazon is very reasonably priced (just select the slowest shipping option & have patience!).

Price

This journal costs around $16. Including shipping to the UK it cost me around £16. Not exactly a bargain, but absolutely worth it for the quality. There are no other journals that I’ve used at this price point that tick so many boxes.

The Verdict

Strathmore do a specific line of paper for mixed media, which is what is used in these mixed media journals. It’s absolutely spot on and this journal is a joy to work in. I’ve dubbed it The Magical Journal! Everything I do in it I enjoy and I love all the paintings I’ve made in it! My only criticism is that the pages don’t lie flat. Next time I will try the hard cover version in the mixed media journal range, as that one does lie flat.

Strathmore Mixed Media Journal Review | iris-impressions.com

Disclosure of Material Connection: I have not received any compensation for writing this post. I have no material connection to the brands, products, or services that I have reviewed.

If you’ve used Strathmore mixed media journals yourself and would like to share your opinion please do leave a comment below!

Stillman & Birn Zeta Series – Art Journal Reviews

Stillman Birn Zeta Sketchbook & Art Journal Review

It is not a secret that I love art journals and can never have enough. So in this series I am reviewing all the art journals that I have used over the years. Some are firm favourites that I buy again and again, some have their quirks and some are straight up don’t-buys. Keep reading to find out more about:

Stillman & Birn Premium Sketchbooks & Journals – Zeta Series

A while back in my search for ‘the perfect art journal’ I was asking around online for recommendations. The Stillman & Birn range was mentioned several times. I ordered one from the US and I couldn’t wait to try it out! I’ve been using it for about 5 months now (and it’s nearly full), so keep reading to find out what I think of it.

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Look & Feel

It feels quite premium with a hard black cover that is slightly textured. It’s about A5 size (I have the 5.5×8.5″ one). Because of the size & sturdy cover it feels like something you could easily chuck in your handbag without the pages getting damaged.

Binding

This has a sewn binding of several signatures. Between signatures there is sometimes quite a big gap. This can be annoying if you’re using those pages as a spread, as there will be a big gap between the left and the right page.

Stillman & Birn Sketchbook Journal Review | iris-impressions.com

Paper Quality

The paper is heavyweight 270gsm hot pressed (smooth) watercolour paper. The website describes it as being suitable for Dry & Wet Media, Watercolor, Ink. To me, the paper is the singlemost important thing when buying (and rebuying) a journal. This paper really disappoints. The paper is very smooth but extremely weak. It pills easily when you go over it more than once or with a brush that is any firmer than a watercolour brush. This could be fixed by gessoing the pages first, but for me the whole reason for buying something with heavyweight HP paper is to not have to use gesso. Due to the problem with the paper the only thing I can use this journal for is watercolour, not mixed media as I intended.

Stillman & Birn Sketchbook Journal Review | iris-impressions.com

Availability

This is a US journal and easily available over there. In the UK it is stocked by some suppliers (try Jackson’s Art Supplies), but sometimes they are out of stock awaiting an overseas order. I had to wait about 1 month for mine.

Price

I paid £12 for this journal, which makes it comparable to the small Dylusions journal. It’s not super expensive but not cheap either. For this price I expect a good quality journal, but due to the problem with the paper I find this to be too expensive for what it is. It might be better value if you’re in the US.

Stillman & Birn Sketchbook Journal Review | iris-impressions.com

The Verdict

These journals are specifically marketed for mixed media, but I wasn’t able to make it work. Customer service from Stillman & Birn got in touch with me to give me some tips and help out, but I still wasn’t able to work in it in my own natural style. If you are looking for a watercolour-only journal then this might become your favourite journal. I personally hate being restricted to one medium, so I will not be buying this journal again. I might consider trying the Beta or Delta series instead (same paper weight, but cold press finish) to see if the paper stands up any better.

Stillman & Birn Sketchbook Journal Review | iris-impressions.com

Disclosure of Material Connection: I have not received any compensation for writing this post. I have no material connection to the brands, products, or services that I have reviewed.

If you’ve used Stillman & Birn journals yourself and would like to share your opinion please do leave a comment below!

Seawhite of Brighton Journals – Art Journal Reviews

Seawhite-of-Brighton

It is not a secret that I love art journals and can never have enough. So in this series I am reviewing all the art journals that I have used over the years. Some are firm favourites that I buy again and again, some have their quirks and some are straight up don’t-buys. Keep reading to find out more about:

Seawhite of Brighton Sketchbooks & Journals

Seawhite of Brighton is a brand that encapsulates a range of art supplies. They are most well known for being super affordable and creating paper that stands up to wet media. In this review I’m focusing on the ‘Starter Stapled Sketchbooks’, although as far as I know the paper used across the range of sketchbooks is the same, it’s just the binding & format that differs.

Into The Woods | mixed media in art journal | iris-impressions.com

Look & Feel

It looks cheap & cheerful. Very simple, kind of like a school notebook but unruled. The cover comes in several different colour options.

Binding

As the name suggests, the binding is created with staples. Two staples hold one signature of paper together. Using staples for binding feels cheap, and yet I can’t fault it. While working in this journal I’ve never wished for different binding or found it was lacking in some way. There is some bleeding due to the binding, but it’s not much different from journals that are bound differently or more expensively (I have yet to find a journal that doesn’t bleed through the spine).

Seawhite of Brighton Art Journal | iris-impressions.com

Paper Quality

The website describes the paper as ‘140gsm all-media cartridge paper, extra wet strength’. It’s the extra wet strength that is important. The paper definitely stands up better than other paper with a similar weight. I’d usually recommend going to at least 200gsm for heavy or wet mixed media use, but this journal can take it up to a point. The paper quality is surprising for the price point and the weight, but it does have a tipping point.

Seawhite of Brighton Art Journal | iris-impressions.com

Availability

This is a UK made journal and is widely available in the UK and as far as I know they are also well stocked in mainland Europe.

Price

The first time I saw the price on this journal my eyed about popped out of their sockets, it was £1.25 (about $1.90) for the A5 size. What??? It makes this journal incredibly affordable, a no brainer.

Seawhite of Brighton Art Journal | iris-impressions.com

The Verdict

The price is the biggest deciding factor in my love for this journal. It’s so ridiculously cheap, it makes me much more forgiving than I would be of a more expensive journal. I can get loads of these, experimenting with sizes, without feeling guilty. I’m always pleasantly surprised at the decent quality. Having said that, the paper does pill if you keep going at it and there is a fair amount of buckling (which I personally don’t mind because I just flatten the pages afterwards). Due to its size it’s a great journal to take with you and because it has a low number of pages (40) it’s satisfying to be able to fill up a journal quickly!

Overall it is not ‘the best’ journal for me, but because of price in relation to quality it’s one I buy again and again, definitely a staple (har har, see what I did there?).

Seawhite of Brighton Art Journal | Mixed Media Art | iris-impressions.com

Disclosure of Material Connection: I have not received any compensation for writing this post. I have no material connection to the brands, products, or services that I have reviewed.

If you’ve used Seawhite of Brighton journals yourself and would like to share your opinion please do leave a comment below!

The Dylusions Journal By Ranger – Art Journal Reviews

dylusions-journal-review

It is not a secret that I love art journals and can never have enough. So in this series I am reviewing all the art journals that I have used over the years. Some are firm favourites that I buy again and again, some have their quirks and some are straight up don’t-buys. Keep reading to find out more about:

The Dylusions Journal by Ranger

This is the journal developed by Dyan Reaveley from Dylusions and is said to be specifically suitable for using the Dylusions spray inks with. I bought the large size a while back to do some Life Book lessons in, and more recently bought the smaller one as it fits nicely in my handbag and was also on the supply list for Art Journal Summer School.

Dylusions Journals http://iris-impressions.com/2015/09/the-dylusions-journal-by-art-journal-reviews/

Look & Feel

This is a very pretty art journal. A lot of thought has obviously gone into the design. I love the brown cover and the way it has an elastic strap to keep it closed. It also has an envelope inside to keep small bits in.

Binding

The cover is separate from the ‘notebook’ that is actually glued inside. This means that you can open the journal flat rather than having to bend the spine. In the big version of the art journal I’ve had some issues with the binding with the area of paper near the spine getting quite weak (& tearing) when the paper is wet. There is bleeding through to other pages if you use wet media near the spine.

Dylusions Journals http://iris-impressions.com/2015/09/the-dylusions-journal-by-art-journal-reviews/

Paper Quality

The large version comes with two types of paper (the signatures alternate between the different paper types): manila cardstock and matte white heavy cardstock. The smaller journal has the white cardstock throughout. The paper is nice and smooth. When turning the pages you get a feeling they are quite thin. I like to work with a lot of wet & heavy media and I don’t feel the paper is quite a match for that. Especially in the bigger journal the pages are prone to tearing near the spine if you use wet media. The paper is also prone to pilling if you don’t use a layer of gesso or acrylics beforehand.

Availability

This journal is fairly unique in that it has good availability both in the US and the UK. Hurrah!

Dylusions Journals http://iris-impressions.com/2015/09/the-dylusions-journal-by-art-journal-reviews/

Price

The price is reasonable but not cheap. I feel like you’re paying over the odds to get a nice design and the Ranger/Dylusions brand name, but the overall quality could be better. The smaller journal feels worth it to me, but the bigger journal is expensive. If you’re in the UK and looking for an A4 journal I’d spend the extra £8 to get a Roberson’s Sketchbook instead.

The Verdict

The elastic band is prone to snapping. This has happened to my big journal and I’ve heard a lot of people mention the same thing. It’s not a big deal, but it does feel like a design flaw seeing as it seems to happen to a high percentage of journals. If you’re a very heavy mixed/wet media user then this might not be the journal for you due to the paper not really holding up to it. For more light mixed media use this is a good journal, and the paper does make the Dylusions inks look nice and bright. I’d rate the big journal slightly lower (more like a 6.5/10) and I won’t be getting another one of those. I will most likely get the small journal again.

Disclosure of Material Connection: I have not received any compensation for writing this post. I have no material connection to the brands, products, or services that I have reviewed. This post contains affiliate links to art courses that I recommend.

If you’ve used the journals yourself and would like to share your opinion please do leave a comment below!

Roberson Watercolour Sketch Books – Art Journal Reviews

Roberson

It is not a secret that I love art journals and can never have enough. So in this series I am reviewing all the art journals that I have used over the years. Some are firm favourites that I buy again and again, some have their quirks and some are straight up don’t-buys. Keep reading to find out more about:

Roberson Watercolour Sketch Books

This is currently my go-to art journal when I want to work big (A4 or A3). You may have heard of this journal via Tamara Laporte from Willowing.org who also recommends this as one of her favourite art journals.

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Look & Feel

This feels like a serious art journal and is quite heavy. It’s quite no-frills with no indication anywhere on it what brand it is or what it is made of! For a few years I didn’t even know the name of this elusive journal. The colour of the covers and spine indicates what type and weight the paper is. This journal comes in A5 (landscape), A4 & A3 (portrait).

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Binding

It has a robust thick cardboard cover with a linen strip on the spine. The binding is really solid: I am a heavy mixed media user in my journals and it stays together really nicely. When you open it the pages don’t quite lie flat and once you get to the final pages there can be a bit of a ‘drop’ between the left and the right page. There is some bleeding through the binding from one page to the other corresponding page in the same signature if you use very wet media.

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Paper Quality

This journal comes in different paper types and weights. I really like hot pressed (smooth) watercolour paper so I have used the 300gsm (black cover with green spine) and 190gsm (green cover with black spine). The thicker paper is excellent for heavy mixed media use, but it is very rigid. The thinner paper also stands up extremely well to mixed media and lends itself a bit more to leafing through the book. The 190gsm version has more pages than the 300gsm (54 vs 34) so by the time the journal is full the one with more pages will probably ‘fan out’ quite a bit wider.

I have been told that these journals are made from Saunders Waterford paper. This paper is quite smooth (not as smooth as some other HP watercolour paper I’ve used) and extremely robust. It takes all sorts of media very well, there is some curling while working wet but it can be straightened/pressed when dry. It also stands up to more abrasive application of paint: brayering, scrubbing etc. The paper stays put and doesn’t rub off.

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Availability

So far I have only heard of this this journal being sold in the UK and it’s a bit hit & miss with regards to where you will find it locally. Smaller (fine) art shops are more likely to stock it than bigger stores. In London you can buy it at Cornelissen (Bloomsbury) and Shepherds (Victoria), they also sell them online. You can do a Google search for ‘Roberson Watercolour Book‘ to find more options to buy.

Price

In terms of absolute cost this is an extremely expensive art journal. Prices range from approx £22 ($34) for the A5 book to nearly £50 ($78) for the A3. However, they are definitely worth that money due to the good binding and absolutely superb paper quality.

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The Verdict

I love this art journal. It is probably one of my favourites ever. The fact that I have filled one and have bought the same one again should be a testament to that. For me the only places it is not ideal is in terms of format (I’d love an A5 portrait orientation one – unfortunately the A5 only comes in landscape) and price. If you can/want to afford this journal you will not be disappointed.

Disclosure of Material Connection: I have not received any compensation for writing this post. I have no material connection to the brands, products, or services that I have mentioned.

My Art Supply Bag for Art Journal Summer School

Hello lovelies! Art Journal Summer School starts TOMORROW!!! Eeeeeeeeee, I’m getting so excited! Expect many exclamation points in this post!

To get you a bit more excited and as a little intro, I thought it might be helpful to talk you through the art supplies I’ve got in my toiletry bag. You can watch the video and/or read the supply list with my personal explanations and input below.

Are you joining the course and community of 350 students? Read all the details, download the supply list and register your spot here.

Art Journal

My journal of choice right now is a Seawhite of Brighton A5 journal. It’s SUPER CHEAP. I bought it for £1.25 (that’s less than $2!). The paper is a bit thin but it’s ‘extra wet strength’ which I can confirm is true. It stands up to mixed/wet media remarkably well although it does buckle quite a lot. It’s made in the UK (and also well stocked in The Netherlands) so might be a bit harder to get across the Atlantic.

Brushes

I tend to use student grade brushes and I buy them in packs because they’re much cheaper that way. The ones you see in the video are Pro Arte Polar and Daler Rowney Graduate. I have one large flat one for backgrounds and bigger areas. One angled brush which I love for shading faces. Finally I have two different round ones for details, writing, swirling, and what-have-you.

Pencils

The supply list has a mechanical pencil which I do like using, but it brings out the perfectionist in me because you can do endless sketching and erasing, sketching and erasing. Although I love symmetry and perfection as much as the rest of us, it doesn’t tend to make me happy with my process. So instead I love using a Stabilo All pencil. It’s a lovely dark black and it’s watersoluble so you can activate it with water. It helps me be more intuitive, embrace imperfection and really commit to the lines I’m putting down on paper.

Erasers

I have one square white eraser for large areas and a Tuff Stuff eraser stick for details.

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Glue and Scissors

I have a pair of tiny scissors and a small pot of matte medium to glue things down. I am not into collage very much though so I hardly ever use these.

Black & White Pens

I use acrylic paint pens by Uni Posca for most of the writing on my pages. I also tend to use them for pupils, eyewhites and highlights in the eyes. They work really well over mixed media, but it’s important to wait until previous layers are fully dry, or you might clog/ruin the nib. They also don’t work very well on thickly applied Neocolor II crayons. I also use Uniball Signo gel pens for details, it has a bit more of a pen feel rather than a marker. Finally I recommend Faber Castell Pitt Pen in black. This is India ink in a pen, it is waterproof when dry. The brush tip is lovely for adding writing or details on top of mixed media.

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Washi Tape

Come on, you need this! Washi tape is so fun with all the patterns. Depending on the media underneath it might not always stick very well, in which case you can use glue or brush some matte medium under & over it.

Dylusions Ink Spray

The brightness of the colours are amazing! Beware of three things though: it goes EVERYWHERE when you spray, it will stain your hands for days, it reactivates when you work on top with wet media.

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Stencils

I don’t work with stencils that often, but they can add real interest to your backgrounds or composition. You can experiment with using sprays or paint. If you spray through a stencil, don’t forget to afterwards flip the stencil and press it onto the page to get the negative image.

Acrylic Paints

It’s such a great idea to limit your colour palette. It avoids overwhelm and gives a consistency to the work you create. In my bag I’ve packed a yellow, a bright pink and a turquoise along with black and white. Craft paints, chalk paints or matte acrylics are ideal for working in an art journal. They dry quickly, the pages don’t stick together and they’re usually non-toxic (do check your preferred brand) so suitable for doing art with your kids.

Watersoluble Crayons

I use Caran d’Ache Neocolor II. They are watersoluble wax crayons. Super portable and non messy while giving you nice bright colours! I packed these colours: apricot, raspberry red, turquoise, white, orangeish yellow, pink, jade, light ochre, ice blue & cinnamon.

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Extras

These are not on the supply list but I can’t live without them:

Rag

I use an old muslin cloth (you know, the type you use to mop up baby sick and when your kids pee on things). It doesn’t take up much space and it’s great for wiping excess paint off your brushes. I forgot this the other day when I went to journal in the park and I ended up wiping my brushes on fallen leaves. It wasn’t very effective. So jus’ saying, having a cloth is quite handy.

Water Spray Bottle

I love having slightly more runny paint so I usually spritz my pages with water before applying paint or while I’m shading a face. I also like making drips which a spray bottle is great for!


I do so hope you will join in on the fun! Can’t wait to see the wonderful artwork everyone creates!

Art Journaling In The Woods On a Camping Holiday

So this weekend just gone we went on an adventure! Andrew won a photo competition for Eco Camp UK which meant we got to stay for free at one of their camps for the weekend.

As you may know I’m preparing for being a guest teacher on Art Journal Summer School, so I thought this would be the perfect opportunity to test drive the supply list (toiletry bag with limited art supplies – you can download the list here!) and do some art journaling while camping!

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Now I have to be honest with you, in the past I have found it hard to enjoy art journaling on holiday. I always take the materials with me, but I have a hard time choosing supplies (so I take too many and end up using none!) and then find it hard to enjoy making art. I think it’s about working in random/confined spaces and having to put things away again after a session.

So the challenge was to pack only the things on the supply list (I almost succeeded… I put in one extra ink spray and roll of washi tape… but that was it I promise!) and then to find the time to art journal and actually enjoy it!

Well I can say I truly succeeded!

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I think the difference this time was that I was more relaxed due to the limited supplies. Using a toiletry bag is super portable which is very convenient! I sat at a picnic table and at a certain point I also journaled while sitting on a picnic chair (no table).

You do have to adjust your expectations slightly. I’m usually very much into acrylic paints, but that’s harder when you only have a small water container (pro tip! Use an empty drink bottle with a wide neck for your paint water. I used a Fruit Shoot bottle). A water brush is definitely very useful, I use a Pentel Aquabrush.

As I was getting out my charcoal pencil for sketching I had a brainwave and decided I could use charcoal from the campfire!! I was feeling super authentic at this point haha. It also made me realise why we buy charcoal as an art supply, as it’s way more concentrated and easy to work with than charcoal from the fire.

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I’m feeling super heartened and inspired by this experience. I now can’t wait to take my little stress free bag of art supplies with me everywhere! Next up I think I’m going to try some places closer to home like the local park and a café.

If you’d like to learn to make beautiful pages with a limited number of art supplies, then I think you will like Art Journal Summer School. Early bird price is on until 31 May! The pages I showed you in this post use similar techniques and supplies as what you will be learning about in my lesson.

Art Journal Summer School Giveaway

Oooh how hard it’s been to keep quiet about this these past few months, but the time is finally here that I’m able to tell you all about the most exciting online art journal course & community launching this summer!!

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You can register for your spot on this wonderful course at a super Early Bird Price right now (price reverts to normal after 31 May). Go to:

www.artjournalsummerschool.com

We start on 1 July and I’m currently busy preparing my lesson which is called

An Intuitive Burst of Colour- creating intuitively and embracing imperfection

I’m so excited to be teaching alongside such an awesome team of artists. I will be sharing sneak peeks of what you can expect in my lesson as we count down to the launch date!

You can watch the promo video here (you seriously want to watch this, Marieke makes the most awesomely fun videos, and you get 10 of her lessons on this course as well as 10 lessons by us guest teachers!):

Giveaway Giveaway Giveaway!!!

I’m giving away one spot to a very lucky winner!

To enter please:
1. sign up to my newsletter (opens in a new window)
2. leave a comment telling me where you will be art journaling this summer (and if you want to expand on that then tell me a bit more about whether you’ve art journaled on holiday before and what you love about journaling on location!).

This giveaway is now closed and winner has been notified. Thank you to everyone who entered.

PS If you register for Art Journal Summer School through my link you are supporting me to keep bringing you awesome (free) content & courses. Yay you!

Live Like It’s Your Last Day

Welcome to episode 4 of Art Play Relay. This month I’m finishing the painting that Juna started last month!

The Videos

My video:

Juna’s video:


You can read Juna’s blogpost about her process here.

People are posting amazing work in response to this project and doing collaborative artwork. If you’d like to be involved, you still can! Join the Facebook group here to see the artwork, find a buddy and post your work.

The quote for this artwork is:

Live like it’s your last day

Supply List

  • Golden high flow acrylics
  • Stabilo All pencils (or regular pencils)
  • Gel pens
  • Paint pens
  • Stamps
  • Gesso

Thought Process

Juna’s painting was so lovely and looked so ‘finished’ in a way, it was hard to know what I wanted to do. I approached it intuitively, and just grabbed supplies that felt ‘right’. This as opposed to thinking in advance what I wanted the page to look like and then just executing the idea step-by-step.

The circular sun shape with fluorescent paint is coming up often in my work recently. I really felt like I wanted the sun to be at the top of the painting, rather than the bottom. I then started pondering the quote itself. It felt like a sad quote, but also something filled with possibility. It reminded me of the circle of life. I also thought that your last day would be a good day to nurture the child inside you, rather than a day filled with heavy obligation.

So I started with a child’s face and as I was doing that I had the idea to represent the different generations. I gave them roots to the ground. The coloured pencils I used give it a very ethereal look because you can see the blue background shining through.

The roots felt grounding and the sun felt uplifting, but I also wanted to represent the sadness of dying. That is where the yellow drips came in.

As a final step I felt the figures needed something extra (because of their colouring/translucency they recede into the background a lot) so I picked three symbols to represent their place in life. A star feels new and bright for the youngest, a sun for the constant figure a mother is and a crown for the wisdom of the elder generation.