Ahhh it’s the moment you’ve all been waiting for… I reveal more of my favourite art supplies! Keep reading to find out which art supplies I use on a daily basis. Don’t forget to check out part 1 over here.
I love me some drippy drippy ink. These Liquitex ones are very nice and vibrant. I use them for drips, but also to add inky layers to my paintings. Inks to me are one of those really FUN supplies to have, even though I haven’t the faintest clue how you’re ‘supposed’ to use them, so I just do my own thing. How do you use your inks?
Quinacridone Nickel Azo Gold
This paint colour is magical! In the tube it looks like a simple reddish brown, but when you apply it you realise how versatile it is. Especially when used in translucent layers or added to white, it really shows it’s magic. It just adds a warmth and pretties everything up, or grunges things up, depending on what you’re going for. It’s mega expensive but well worth the money.
Art teacher Pauline Agnew introduced me to these awesome tools. They are basically silicone wedges that you can use to apply or scrape paint. They have a different feel to palette knives and are really unique and versatile. They are simply one more tool in my toolbox to apply paint, create texture, make backgrounds and grungify (this is a word, I say so) my work.
I spent years not understanding what palette knives were for (apart from taking paint out of paint tubs effectively), then I started working with them and wow, I’m in love! You can scrape and drag paint with them and they instantly give it a grungy and raw look. Scraping paint with a palette knife is one of my favourite things to do in my artwork and it fits in so well with the feelings I’m wishing to convey. I especially like this metal one, plastic ones are a good budget alternative, but a metal one does work more effectively.
These chunky neon pencils are my favourites! I love adding details to my art journal pages with them. They really have that fluorescent look. They come in more colours, but these are the only ones I use
So tell me, which art supplies can’t you live without?
I love art supplies, I’m a real art supply addict! I often get questions about what supplies I use and love, so I thought it would be fun to create a couple of blog posts highlighting my favourite art supplies.
I love my brayer! I have a few different ones. The one pictured is a Speedball brayer which is nice and soft and is my favourite. I also use lino print brayers which are more firm (but cheaper!). I use brayers to apply paint to backgrounds. It’s an instant gratification texture tool and my work wouldn’t be the same without it.
When I first got my watercolours I went through a watercolour phase. Then I realised I could use them in mixed media. Now my favourite way of using watercolours is on top of layers of acrylic. I put together my own palette of Schmincke half pans and a couple of Daniel Smith (shown here is a 12 half pan palette with the colours I use most often)
I know this seems like the most pointless (harhardehar, see what I did there?) item, but I recently bought a new pencil sharpener and it’s the best thing since sliced bread (slice… get it.. get it?? *bows* I’ll be here all day). It made me realise how incredibly BLUNT my old one was and in addition this little Stabilo sharpener works slightly differently to regular pencil sharpeners. It can achieve a REALLY sharp point and also sharpens more akin to how pencils come when you buy them (the wood of the sharpened bit comes out shorter than with other sharpeners). So yes, I am a real art supply nerd!
Hand Carved Mini Stamps
I’m not a huge crafter, but I do love using crafts to support my art habits. These are some mini stamps (they measure about 2x2cm) that I carved myself. I wanted stamps with certain symbols that I use in my art a lot, and because they are personal symbols I obviously couldn’t buy them from a shop! I used Speedball Speedycarve which is much softer and easy to cut than traditional lino or erasers. This is essential to me as I suffer from RSI very easily.
I love matte paints both from a practical point of view as an art journaler (less chance of pages sticking together) and from an aesthetic point of view (pretty!). Paper Artsy make a great range of chalk paints. My favourite colour is Nougat, but I couldn’t get it at my local store, so I got Chalk instead and added a tiny bit of pink and ochre to achieve a warmer/offwhite colour. Whenever you see big areas of off-white in my art, you can bet it’s this chalk paint. I just wish it came in a big tub!
Colour Brush Pen
This is a funny one. I used a tester pen at the shop and got wonderful black lines. But ín the one I bought the ink doesn’t really flow properly. At first I thought about taking it back and getting a refund, but then I realised that the dry brush and grungy effect it created was perfect!
Tell me in the comments below what YOUR favourite art supplies are and how you use them?
Hello lovelies! Art Journal Summer School starts TOMORROW!!! Eeeeeeeeee, I’m getting so excited! Expect many exclamation points in this post!
To get you a bit more excited and as a little intro, I thought it might be helpful to talk you through the art supplies I’ve got in my toiletry bag. You can watch the video and/or read the supply list with my personal explanations and input below.
My journal of choice right now is a Seawhite of Brighton A5 journal. It’s SUPER CHEAP. I bought it for £1.25 (that’s less than $2!). The paper is a bit thin but it’s ‘extra wet strength’ which I can confirm is true. It stands up to mixed/wet media remarkably well although it does buckle quite a lot. It’s made in the UK (and also well stocked in The Netherlands) so might be a bit harder to get across the Atlantic.
I tend to use student grade brushes and I buy them in packs because they’re much cheaper that way. The ones you see in the video are Pro Arte Polar and Daler Rowney Graduate. I have one large flat one for backgrounds and bigger areas. One angled brush which I love for shading faces. Finally I have two different round ones for details, writing, swirling, and what-have-you.
The supply list has a mechanical pencil which I do like using, but it brings out the perfectionist in me because you can do endless sketching and erasing, sketching and erasing. Although I love symmetry and perfection as much as the rest of us, it doesn’t tend to make me happy with my process. So instead I love using a Stabilo All pencil. It’s a lovely dark black and it’s watersoluble so you can activate it with water. It helps me be more intuitive, embrace imperfection and really commit to the lines I’m putting down on paper.
I have one square white eraser for large areas and a Tuff Stuff eraser stick for details.
Glue and Scissors
I have a pair of tiny scissors and a small pot of matte medium to glue things down. I am not into collage very much though so I hardly ever use these.
Black & White Pens
I use acrylic paint pens by Uni Posca for most of the writing on my pages. I also tend to use them for pupils, eyewhites and highlights in the eyes. They work really well over mixed media, but it’s important to wait until previous layers are fully dry, or you might clog/ruin the nib. They also don’t work very well on thickly applied Neocolor II crayons. I also use Uniball Signo gel pens for details, it has a bit more of a pen feel rather than a marker. Finally I recommend Faber Castell Pitt Pen in black. This is India ink in a pen, it is waterproof when dry. The brush tip is lovely for adding writing or details on top of mixed media.
Come on, you need this! Washi tape is so fun with all the patterns. Depending on the media underneath it might not always stick very well, in which case you can use glue or brush some matte medium under & over it.
Dylusions Ink Spray
The brightness of the colours are amazing! Beware of three things though: it goes EVERYWHERE when you spray, it will stain your hands for days, it reactivates when you work on top with wet media.
I don’t work with stencils that often, but they can add real interest to your backgrounds or composition. You can experiment with using sprays or paint. If you spray through a stencil, don’t forget to afterwards flip the stencil and press it onto the page to get the negative image.
It’s such a great idea to limit your colour palette. It avoids overwhelm and gives a consistency to the work you create. In my bag I’ve packed a yellow, a bright pink and a turquoise along with black and white. Craft paints, chalk paints or matte acrylics are ideal for working in an art journal. They dry quickly, the pages don’t stick together and they’re usually non-toxic (do check your preferred brand) so suitable for doing art with your kids.
I use Caran d’Ache Neocolor II. They are watersoluble wax crayons. Super portable and non messy while giving you nice bright colours! I packed these colours: apricot, raspberry red, turquoise, white, orangeish yellow, pink, jade, light ochre, ice blue & cinnamon.
These are not on the supply list but I can’t live without them:
I use an old muslin cloth (you know, the type you use to mop up baby sick and when your kids pee on things). It doesn’t take up much space and it’s great for wiping excess paint off your brushes. I forgot this the other day when I went to journal in the park and I ended up wiping my brushes on fallen leaves. It wasn’t very effective. So jus’ saying, having a cloth is quite handy.
Water Spray Bottle
I love having slightly more runny paint so I usually spritz my pages with water before applying paint or while I’m shading a face. I also like making drips which a spray bottle is great for!
I do so hope you will join in on the fun! Can’t wait to see the wonderful artwork everyone creates!
So this weekend just gone we went on an adventure! Andrew won a photo competition for Eco Camp UK which meant we got to stay for free at one of their camps for the weekend.
As you may know I’m preparing for being a guest teacher on Art Journal Summer School, so I thought this would be the perfect opportunity to test drive the supply list (toiletry bag with limited art supplies – you can download the list here!) and do some art journaling while camping!
Now I have to be honest with you, in the past I have found it hard to enjoy art journaling on holiday. I always take the materials with me, but I have a hard time choosing supplies (so I take too many and end up using none!) and then find it hard to enjoy making art. I think it’s about working in random/confined spaces and having to put things away again after a session.
So the challenge was to pack only the things on the supply list (I almost succeeded… I put in one extra ink spray and roll of washi tape… but that was it I promise!) and then to find the time to art journal and actually enjoy it!
Well I can say I truly succeeded!
I think the difference this time was that I was more relaxed due to the limited supplies. Using a toiletry bag is super portable which is very convenient! I sat at a picnic table and at a certain point I also journaled while sitting on a picnic chair (no table).
You do have to adjust your expectations slightly. I’m usually very much into acrylic paints, but that’s harder when you only have a small water container (pro tip! Use an empty drink bottle with a wide neck for your paint water. I used a Fruit Shoot bottle). A water brush is definitely very useful, I use a Pentel Aquabrush.
As I was getting out my charcoal pencil for sketching I had a brainwave and decided I could use charcoal from the campfire!! I was feeling super authentic at this point haha. It also made me realise why we buy charcoal as an art supply, as it’s way more concentrated and easy to work with than charcoal from the fire.
I’m feeling super heartened and inspired by this experience. I now can’t wait to take my little stress free bag of art supplies with me everywhere! Next up I think I’m going to try some places closer to home like the local park and a café.
If you’d like to learn to make beautiful pages with a limited number of art supplies, then I think you will like Art Journal Summer School. Early bird price is on until 31 May! The pages I showed you in this post use similar techniques and supplies as what you will be learning about in my lesson.
Both types of ink are highly pigmented and very fluid. Acrylic ink acts like acrylic paint in terms of coverage and finish (kind of glossy & plastic-y), except its viscosity is much more runny than paint. India ink is a traditional writing & printing medium and is now also used a lot for drawing and of course mixed media! India ink is not always waterproof. The brand I use (Bombay India Ink by Dr Ph Martin) is waterproof once dry and it also comes in more colours than just black.
Why do I love it?
Unlike paint, ink just FLOWS, which is awesome. When you dilute regular paints to make them flow better you dilute the colour too, but inks are fluid with the same amazing concentration of pigment.
I started my love for inks with black India ink. When applied with a brush it is so much easier to make lines and swirls and script writing than it is when you’re using paint. It just flows off the brush very easily.
It is also really easy to do drips and splatters with ink. You can make splatters either straight from the dropper, with an old toothbrush or by tapping a brush. For drips you simply squeeze the dropper at the top of a page and hold the page at an angle to let the ink run down it. You can use a straw to blow it in different directions. Then finally I love using ink with a dip pen. Instant pretty writing! White acrylic ink is amazing for writing on top of your mixed media artwork.
Things to try
Use a dip pen and do some journaling with it. No special technique, although it’s easier to do when you write in script rather than loose letters
Use ink with a brush and paint as you usually would. Acrylic inks are especially nice for this.
Splatter & drip to your heart’s content! Experiment with letting the different colour inks flow into each other, or drying the inks between each new application.
Write swirly text straight from the dropper applicator
Draw shapes with the dropper applicator or make dots
How do you use acrylic ink or India ink in your artwork? Leave a comment to let me know!
Oil pastel (also called wax oil crayon) is a painting and drawing medium with characteristics similar to pastels and wax crayons. Unlike “soft” or “French” pastel sticks, which are made with a gum or methyl cellulose binder, oil pastels consist of pigment mixed with a non-drying oil and wax binder. The surface of an oil pastel painting is therefore less powdery, but more difficult to protect with a fixative. Oil pastels provide a harder edge than “soft” or “French” pastels but are more difficult to blend. – Wikipedia
The way I would describe them is like crayons in shape, but more like lipstick in substance. They are soft and creamy and heaven to blend with your fingers. The brand I have and would highly recommend are Sennelier. Expensive, but amazing to work with. I buy singles of the colours I know I’ll use rather than buy an expensive box with loads of colours I’ll never reach for.
The thing that is important to know about oil pastels, is that they are not water soluble. That means it’s not very easy to use them in conjunction with watersoluble media (such as acrylics or watercolours) as they will simply not ‘stick’ to the oily medium. As a general rule you can use oil pastels on top of watersoluble media, but not underneath.
What are oil bars?
Oil stick, oil bar, or oilstick, is an art medium. It is produced in a stick form similar to that of a crayon or oil pastel. It is distinguished from oil pastel, to which it may appear similar, in that the oil used is comparatively volatile, causing a skin to develop on exposed surfaces. – Wikipedia
The oil bar I have is made by Winsor Newton. It looks like a huge oil pastel and in terms of application it feels quite similar to oil pastels (although due to the size you have less precision). The way it differs is that it’s like oil paint in stick form. This means that it actually ‘dries’ after a few days by forming a film over it.
The amazing thing to me is their drying properties. If you mix them in with oil pastels they still dry to a film, so it’s a wonderful way of making sure your oil pastels dry without having to use a fixative.
You have to have patience with the drying process, it generally takes about 24 hours (depending on how thickly they’re applied) to no longer be creamy to the touch. It probably takes several days to a week to dry fully. When I use it in my art journals I leave the page open for a few days and if I do need to close the journal I put a protective blank page in between.
Things to try
Apply oil bar liberally and blend out with your fingers. Add shading/colours with oil pastels and blend into the oil bar.
Apply oil bar liberally and blend in fluid acrylics with your fingers.
Write over oily media with a Stabilo All pencil
Scratch into a layer of oil bar/pastel to create interesting texture
Use oil pastel in conjunction with beeswax. Oil pastels will work both under and over beeswax.
Melt your oil pastels and spread them around with a heat tool/quilting iron (best to use cheaper oil pastels for this).
Use oil pastels as a resist (apply oil pastels, leaving space around them, then apply a wash of watercolour over the top)
How do you use your oil pastels and oil bars? Leave a comment to let me know!
It is simply very fluid acrylic paint in a spray bottle. This means that when it dries it cannot be reactivated by water. The ones I have are from the DecoArt Media line. Art Anthology also do a spray although I haven’t used it myself so I can’t comment on it and I’m not 100% sure it’s acrylic.
Why do I love them?
I get frustrated by sprays that reactivate when using wet media on top. It usually causes a muddy mess in my work. So getting the fun of spraying and knowing the paint won’t reactivate when I work on top is excellent! Depending on the colour/type of paint some of these are opaque, which adds another interesting dimension when working with these.
You can control the spray that comes out of the bottle. If you press down hard, you get a wide fine mist. If you press down a bit more slowly, you get a more targeted spray. If you press down really slowly you get splatter droplets.
Things to try
Layer 2-3 different spray colours using different pressure for each layer. Start with a full layer of the first colour, then add a layer where you press down more slowly for smaller areas of colour and finish off with splatters by pressing down very slowly
Spray through a stencil. Remember you can use the negative image by flipping the stencil over once it has paint on it. (Clean your stencils! I’m speaking from experience… I’m usually really lazy and paint isn’t too bad, but I once forgot to clean my stencil after using modeling paste…. I got muscle ache from all the scrubbing I had to do)
Make your own spray. Use high flow acrylics undiluted or dilute your (fluid) acrylics. You can get spray bottles at the drug store / chemist
Spray 3D elements. Either to use in art or as home decoration (ornaments, vases etc)
How do you use acrylic paint sprays? Leave a comment to let me know!
Let me introduce you to one of the most awesome art tools in existence!! A brayer is simply a paint roller, traditionally used in printmaking to transfer paint onto the printing plate. They can be made of a variety of materials but the ones you see most in the mixed media art journaling world are made of rubber.
Why do I love them?
It is an instant texture and layering tool. Using a brayer to apply paint instead of a brush gives you a very interesting texture and look. It’s quite random what you get which is part of the fun. A layer of paint applied with a brayer provides a sort of push-pull effect, so you can usually see part of the previous layer through it.
I love using a brayer to create a quick background. A bit of gesso and one or two colours rolled out over a journal page and you have got rid of the blank page and created interesting texture within about 20 seconds.
Another reason a brayer is invaluable is if you have a Gelli plate. You can apply the paint quickly and evenly. Alternatively you can use it to apply paint in a circular motion or use the edge of the brayer to etch designs into the paint.
Things to try
Try using a brayer with gesso
Experiment with low to high viscosity paints (e.g. fluid and heavy body acrylics)
Brayer some colour into an area and then make a glaze with the same colour and brush over
If a layer of paint seems too thick and you want to see what’s underneath, either remove some with a baby wipe or keep on rolling the brayer to transfer the paint to different areas and pull bits off
How do you use a brayer in your artwork? Leave a comment to let me know!
A gelli plate, also called gelatin printing plate, is an art supply used to create monoprints. Monoprinting is a form of printmaking where the print can only be made once, unlike most printmaking, where the same image is reproduced identically many times.
The plate made by Gelli Arts is a very durable mineral gel plate (it does not contain animal products so it’s suitable if you’re vegetarian/vegan). You can also make your own plate easily and cheaply with gelatin (supermarket) and glycerin (drug store/chemist).
Why do I love it?
Where to start??? There are SO many possibilities with a gelli plate. The results you can get are so diverse. No one print will be the same. The process is infinitely fun and diverse. You can simply roll paint with a brayer, you can stamp textures or images, you can scrape paint away with brushes or other tools, you can paint onto the plate.
The traditional way of using it is loading the plate up with paint using a brayer, putting a sheet of paper on top and pulling the paper off (this is why people talk about ‘pulling prints’). However, I love using my plate in my journals, stamping it directly onto the pages. You can do one layer or many layers to build up interest.
Brayer a layer of one or two colours. Stamp images or textures, put masks or stencils on the plate. Pull a print. Then gently remove your masks etc and pull a ‘ghost print’ from the leftover paint
Add a bit of water to the plate after pulling the ghost print and pull another print
Experiment with expensive paints and cheap paints. How do they react, what do you like?
You can clean your plate with a baby wipe to get all paint residue off. Water & gentle soap works too
Instead of cleaning the plate, ‘clean’ it with gel medium or white acrylics. Best done at the end of a printing session when there is paint residue left on your plate. Add a fairly thick layer of gel medium or white acrylics. Firmly press a page onto the gelli plate and let dry completely (12-24 hours), gently pull off and it will have pulled all the dried up paint residue too, giving you a very unique print
Do you have a gelli plate? How do you like to use yours? Leave a comment to let me know!
Fluid acrylics, or flow, soft body acrylics, have a lower viscosity but generally have the same heavy pigmentation of the heavy body acrylics. – Wikipedia
What that means in everyday language is that the paint is more fluid than regular acrylics, but the colours are just as intense (i.e. it’s not just diluted paint the way you could achieve yourself by adding water).
Why do I love them?
The importance to me of this is that the paint flows and spreads more easily, and it’s much easier to get control over the paint when using a brush.
There isn’t really anything super magical about fluid acrylics, but I love them because they really make the painting process pleasurable. The paint does what I want! I like the fact that it’s quick drying, because I hate waiting! It’s also very easy to dilute with water to add splatters to your work, or mix with a glaze to create translucent effects.
I recommend using the highest quality you can afford. I use Golden which is expensive, but it goes a long way, you only have to use a tiiiiiny bit. I have also used Deco Art fluid acrylics, which I definitely recommend as a more budget conscious option while still giving great quality (but not as amazing as Golden).
Things to try
Add some water and create splatters (tap your paintbrush or use an old toothbrush and scrape your finger along it to create a fine spray)
Add some glazing liquid (about 50/50 paint/liquid), apply to your work, let it dry for 1-2 minutes and wipe away with a baby wipe