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Top 5 Tips For Doing It – Motivation and Art

After my post the other day about having found motivation for doing art I thought I’d share these tips for getting down to business and doing it. Just in time for the weekend to put them into practice!!

There are many reasons why we might not do something we want to do. I wrote the tips below with art in mind, but with some modification they can apply to pretty much anything. The important thing is to find something that works to enable you, to do what you want.

1. Take A Course

Willowing Online CoursesCourses give you an external motivation to do art. They will give you more practical skills, which in turn will increase your confidence. There might be assignments or exercises which walk you through new techniques. This is a much safer way to start something, because there is already a blueprint for doing it: you don’t have to make it up all by yourself.

It can also be motivating to be in a group of like-minded people and to share the results of the lessons and discuss them. By the end of the course you will have completed work you can look back on, feel proud of and see your own progress in. It will be a jumping off point to keep creating.

Places you can find courses: local college (in London you can try City Lit or Morley College), art/craft shop or online. I’ve taken online courses from Tam @ Willowing, Suzi Blu and Adriana Almanza.

2. Distract Yourself

Occupy your conscious mind to access your subconscious mind. I overthink what I do ALL.THE.TIME. My inner critic works overtime when I’m creating a painting. It’s hard to be free and create art from the heart when my mind is so present all the time. Something that can really help is to distract your thinking mind so you free your creative mind to do what it does best. I do this by watching TV while painting (or you could listen to an audiobook, music or have a conversation with someone etc). Following the storyline and dialogue distracts me just enough to let my hand move freely and helps me make organic choices rather than getting stuck on things like which colour to use.

3. Copy Your Favorite Artists

OK this might sound controversial but bear with me. Ask yourself what you like. Whose art makes you happy or evokes strong feelings in you? Create a folder on your computer (or a board on Pinterest) with art that makes your heart sing. Then copy the hell out of it. When you copy something another artist has done it is called a study. Obviously you don’t sell these works or pass them off as your own, but what you are doing is slipping on someone else’s shoes for a bit and in so doing it will help you develop. You are practicing, you are learning your own likes and dislikes and it will spark your own original creative side and eventually develop your own style.

4. Limit Your Options

This world of ours has limitless choices and if you’re anything like me you’ll have an abundance of art supplies. I get almost as excited about buying new art supplies as I do about creating art. I find myself getting overwhelmed and scared when I think about all the supplies I have sitting around waiting to be used. So much potential but how best to use them, in what combination and what to use in this particular painting?

So strip it right down, reduce! Don’t leave the choice open to all your art supplies available. Pick a limited number of supplies you will use. For example I would choose: 4 colours, 2 patterned papers, 1 stamp, gesso & brayer. Then as you gain confidence creating paintings with limited options, you will find you automatically know what other supplies to reach for because you know what your painting needs.

I give a bunch of limited supply suggestions in my art & inspiration guide, so go and download that if you haven’t already. You can also check out some art journaling videos where I created journal spreads with limited supplies.

5. Acknowledge Your Fear

I left this one to last as it’s the most important one and the crux of a lot of motivational problems.

You have finally carved out some you-time to do art and you find yourself with a compelling urge to tidy your desk, or alphabetise your DVD collection, or clean the kitchen or [fill in the blank with your particular distraction]. You don’t actually need to do any of those things, and they certainly have nothing to do with creating art. This is your fear in the driving seat. Your fear is there to protect you, perhaps you’re trying to avoid disappointment or you don’t want to fail or you’re afraid of what other people will think. But for all its noble intentions, your fear holds you back and stops you doing what you actually set aside time to do. Tell yourself ‘thank you very much fear for trying to protect me, but I’d like to do some art now please, so piss off’.

I admit I wrote that last line for comic effect, but the point I’m trying to make is that by acknowledging your fear you bring it into the open. If you see your avoidance behaviour for what it really is – fear – then you can try and move past it or work with it and turn it into creative opportunity. It is also helpful if you can try and identify exactly what is it you are afraid of. Personally I fear creating something ugly and ‘failing’ at being an artist (I hardly feel I’m even allowed to apply that word to myself, a topic for another blog post!). I fear other people’s criticism or lack of interest. I feel I have to be perfect and create perfect art. So for me it helps to acknowledge these issues. I try to give myself permission to practice, see what I’m working on as a process to getting better and try to create things for myself in the first instance.

The fear is always there and sometimes it is louder than other times. It is likely that it will never go away, but you have to arm yourself with techniques that will help you do art despite your fear.

Finally, just try and get on a roll. Start so you may continue. I find that ideas breed ideas and creativity breeds creativity. The more you are doing it, the more you will feel like doing it.

I would love it if you shared in the comments what your top tips are for doing art or any other activity you feel passionate about.

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Art & Craft Tutorials, Guides & Advice

My 10 Favourite Art Supplies

10-favourite-art-supplies

I looove art supplies (and have spent way too much money on them over the years, probably a lot on useless stuff) so I thought you might like to know my favourite supplies. As a consequence these are supplies I use all the time and in almost all my work. This top 10 is in no particular order because it’s never just one thing that is the greatest, with mixed media it’s all about the effect things produce in combination.

Caran d’Ache Neocolor II Watersoluble

10-fav-neocolorI looooooooove these babies! They come in so many different colours. I like that you can buy tins as well as single ones. I’ve got the tin of 15 and have got about 20 more loose ones of various shades for faces and vibrant backgrounds. I especially like their versatility, you can use them as a wash for backgrounds or use less water to make them more opaque; you can use them to paint faces and figures and other more detailed things; you can use them undiluted as a regular crayon. Almost every single piece of art I create, whether it’s an art journal page or a full blown painting on wood or canvas, has me using at least one of these.

10-fav-gessoWhite Acrylic Paint / Gesso

So simple but absolutely essential. I remember being so disappointed when I was a child when I was told white was not a colour! Nevertheless I love using it. Acrylic paint is especially nice to create texture with by building it up really thick (heavy body acrylic paint is good for this). Gesso is lovely for brayering onto the page and create texture that way. Acrylic paint has more of a plastic-y sheen to it, whereas gesso is more matte.

Gel Medium

10-fav-gelmediumI use Golden which I love, it’s expensive so other brands might work as well, I haven’t tried any others. Gel medium has many uses I’m sure, but I use it mainly as either a glue for three dimensional objects or to create raised texture. It is great for gluing because it dries clear AND remains flexible. That means things are less likely to fall off over time which is always a plus. It’s nice for texture because it retains its shape when it dries (if you layer it on thick it needs quite a long time to dry though!) and you can mix it with paint for colour or you could even add other fun things like glitter or coloured sand. You can pretty much go wild and gel medium will stand up to it!

10-fav-heattoolHeat/Embossing Tool

Also called a heat gun or embossing gun this one isn’t very exciting but it’s so so nice to have. I dislike having to wait for things to dry, it interrupts my creative flow. Having a tool to speed up the drying of your paint so you can continue your work is easily overlooked but to me it really makes the process much more enjoyable. The one I have has two settings, a ‘low heat’ one (still very hot though, like a hair-dryer on the hottest setting) for speeding up drying times and a ‘high heat’ one (incredibly hot, handle with lots of care!) for embossing.

I don’t do much embossing but I have noticed some areas to take care: one, if you point it at any acrylics for too long, they start bubbling which may spoil your work (or on the other hand you can use this effect to your advantage and create awesome texture!) Two, it will melt beeswax in a heartbeat (and may also ‘blow’ it into a different direction from where it was), which is great if that’s what you’re after but if it’s not just make sure to apply your beeswax only after you’re finished with any embossing.

Beeswax

10-fav-beeswaxIt smells GORGEOUS! I find working with beeswax very soothing. It smells so nice and adds a dreamy look and texture to any piece. You can add little elements inside it like glitter or other small objects. Do be aware that if you layer it on very thick it becomes opaque. I use a quilting iron to melt the wax and smooth it over my work. Then afterwards I either leave it like that or sometimes I scratch into the surface (you can use an empty ballpoint, the end of a paperclip or anything else that creates interesting texture). Sometimes I cover a whole piece with beeswax as a final unifying step, and other times I just put it in select areas. Another fun way to use it is to create a ‘resist’: beeswax will resist most products you put on it, so you can drip some beeswax on your piece and then spray walnut ink on top, the ink will stay on the wax-free bits but rub off the parts where the wax is (as long as it’s smooth, if you created texture into the wax the ink will settle in the crevices which creates a more grungy look).

10-fav-stampsStamps

I know that’s quite a broad category there but there are so many out there that are wonderful! I love using floral or grungy stamps as an element in creating a complex layered backgrounds. At least one set of alphabet stamps are integral to art journalling, they really add to that recognisable art journal aesthetic.

I love acrylic stamps, they are unmounted stamps made of acrylic (they are seethrough) and you use an acrylic block to mount them (they stick to it automatically and come off easily, no glue needed). The fact that the stamps & block are seethrough helps with placement and you can also mount more than one stamp on a block at a time which is handy for lettering or adding a group of elements in one go. You can wash them in soapy water to clean them (they won’t lose their stickiness!) which is another plus.

Uni Posca Markers

10-fav-poscapensThere are a lot of markers that promise to write on anything, but few actually deliver. These are the best I’ve tried! They even write over (watersoluble) oil pastels, as long as you are careful and don’t press too hard. When you write with them the flow is quite ‘inky’ (so be careful because they will smudge before they’re dry!) unlike felt tip pens or some other markers which can be really dry, and thus don’t write on textured or more complex surfaces.

They are quite expensive but investing in at least the black and white is well worth it. Even the lighter colours go on opaque. They are great for adding text to pages (the thinnest size is nice for writing and doodles), adding accents around elements or filling areas in with colour. They are waterproof when dry, which is great because they won’t smudge.

10-fav-bookpagesBook Pages

I use a cheap paperback I knew I wouldn’t read again, but you can also use newspaper, phonebook pages etc. The small dense lettering can really add interest to a page, either as part of a complex layered background or perhaps as a shape cut out from the paper. Printed papers tend to absorb paint very easily which makes it very easy to integrate them into a background and give them colour. Book pages tend to already be slightly brown/yellowish which is much nicer on the eye than black text on a white background.

Wood

10-fav-woodI love working on wood as a surface. It can be a bit challenging due to the texture, but at the same time that is exactly what is so great about it. The wood grain and imperfections add to the overall look of the painting. It’s a very forgiving surface for using a lot of materials on, especially when you’re working with wet paint and mediums. It’s also very solid so you can attach 3d or heavier objects more easily. And you can drill into it either for artistic purposes or to attach ribbon/twine to hang it with.

10-fav-embellishmentsEmbellishments

A broad category but they are so much fun! Embellishments can really add something to a piece, either used sparingly as a focus point or used in abundance to add complexity and texture. Because there are so many of them it’s a lot of fun shopping for them as well (or finding them in your house, like bottle caps or dice!) and then integrating them into your pieces. I’m not into scrapbooking but I always find scrapbooking embellishments can work well in mixed media art: brads, eyelets, glitter, confetti, rub ons, raised stickers, ribbon etc

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Art & Craft Musings Tutorials, Guides & Advice

OMG You’ve Ruined It!

omg-youve-ruined-it

I have such a big fear of spoiling things. Either spoiling things for myself of a fear of external things spoiling things for me. It affects pretty much all areas of my life, for example I find it very hard to order off a menu, in case the choice turns out to be ‘wrong’ or disappointing.

Similar with art. What if this colour is the wrong one, what if this stamp makes things look ugly, what if I ruin the pretty face I’ve sketched once I add colour to it? It is so stifling as it always imbues the next thing with so much risk. I recognise that this is once again my fear trying to protect me from disappointment. If I don’t take the risk, I can’t ‘spoil it’ and can’t be disappointed (order the same thing off the menu every time… wait ages to create another art piece in case the next one is going to be super horrible).

I watched an art video by Tamara Laporte recently in which she draws with black marker pen on the face she’s just painted. My initial reaction is “OMG no! That’ll ruin it!”. Except, it turns out that actually it doesn’t. I learned from this.

  1. The next step is the next step. It does not inherently hold ruining power.
  2. If you don’t like it, you can paint over it. Mixed media is all about layers. The ‘flawed’ layer can become a building block to a more complex finished piece.
  3. Your latest art piece is not you. It’s an expression of you, but it does not personify you. If it is ‘bad’ (such a subjective concept anyway!), it doesn’t mean you’re destined to make ‘bad art’ forevermore.
  4. You’re allowed to practice. Make mistakes. ‘Ruin things’. You may not have created something you like, but you have learned about what you do not like. Next time it will be better.
  5. TURN THE NEXT PAGE AND MOVE ON!

Ahh fear.. my misguided frenemy. Thank you, but not this time please.

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Art & Craft Tutorials, Guides & Advice

Art Supply Shops in London

art-supply-shops-london

I love going into art shops and nosing around for new supplies (or stocking up on basics). I can’t imagine how they must struggle against competitive online suppliers. Nothing beats actually going into an art shop though, I’m addicted! So I thought I would compile a list of shops I frequent that sell art supplies in London. Most of these ones are in Central London. I hope you find this helpful!

AtlantisAldgate, E1
http://www.atlantisart.co.uk
A huge shop (biggest in the UK according to their website) with pretty much any art supplies you can think of. Lots of supplies for fine art, but also things for kids, plenty of materials for mixed media artists (they do both natural and bleached beeswax). Huge range of Golden & Liquitex products. Best thing about Atlantis is that their prices are very very good.

Blade RubberBloomsbury, WC1
http://www.bladerubberstamps.co.uk
This shop is a must for art journalers. They don’t just do rubber stamps but a ton of papercrafting accessories and more. They do a lot of mixed media & art journaling essentials. It’s the only shop I’ve found that actually stocks things like Stewart Gill paints, mica flakes and specialist magazines. They are unfortunately quite expensive but you do have the advantage of seeing the supplies in the flesh rather than guessing what something is like when you buy online. They also do classes.

Cass ArtCharing Cross, WC2 – Soho, W1 – Hampstead, NW3 – Kensington, W8
http://www.cassart.co.uk
They have a few branches and do great deals on quite a lot of their stock. Paper, sketchbooks, Promarkers (sets) and Caran d’Ache watersolubles (sets) are really competitively priced. I haven’t been to their flagship store, but their smaller store on Charing Cross road is great for picking up a few essentials.

CornelissenBloomsbury, WC1
http://www.cornelissen.com
Quite fine art focussed, but I would recommend going in here even if you’re not interested in what they sell: the inside of the shop is amazing! It’s what you’d imagine stepping into a 19th century art shop would be like. Apart from the obvious they sell some interesting stuff (I found some type of gold coloured powder in there, never seen that anywhere else) and tucked away at the back you can find discounted supplies.

Cowling & Wilcox LtdSoho, W1 – Shoreditch, E1 – Camberwell, SE5
http://www.cowlingandwilcox.com
It’s been a few years since I went into this shop but I think they’re quite similar in terms of stock to Cass Art.

HobbycraftCroydon, CR0 – Greenford, UB6 – Romford, RM1 – Watford, WD17
http://www.hobbycraft.co.uk
You have to travel a bit further out of town, but the size of the store makes up for it. Prices aren’t as low as you might expect, but the shop is great for browsing because they have so much. They cover almost every area of art and craft. I especially like going into the aisle with art supplies for kids, you can pick up some nice things for mixed media projects for a lot less money than the stuff that’s specifically targetted at art journaling.

John LewisOxford Street, W1
http://www.johnlewis.com
The haberdashery department in John Lewis has some nice bits & bobs. I’ve only been there for my knitting/crocheting needs, but they also do lots of little accessories (embellishments, ribbons etc) and I think they’re picking up on crafters’ needs a bit more over the past couple of years.

London Graphic CentreCovent Garden, WC2
http://www.londongraphics.co.uk
I love this shop because it’s got a lot and is so central. They are a bit pricey though. In the ranges of drawing/watercolour pencils, (watersoluble) oil pastels, conte crayons etc they sell single colours of almost everything which can be very handy. They sell an adequate range of paints & mediums although if you really want to go to town on those I’d still recommend Atlantis.